01/02/2021 Venezia
Borders Cuts Images. History and Theory. Editorial
edited by Linda Bertelli and Maria Luisa Catoni
Cut as a device. An example from Classical Antiquity
Maria Luisa Catoni
Cutting down the interpretation of drawings. The case of Watteau
Camilla Pietrabissa
Framing representation. The hybrid zones of intarsia
Maja-Lisa Müller
The photographic cut and cutting practices in photographic archives
Costanza Caraffa
From cuts to clues, hidden narratives within the details of Carl Durheim’s photographic portraits (1840-1860)
Sara Romani
A look from outside. Foreign photographers in Palermo between the 19th and 20th centuries
Laura Di Fede
Framing the ‘delegated gaze’. Handbooks for travelers and the making of anthropological photography in Italy at the end of the 19th century
Agnese Ghezzi
Chronophotography as an archive. The dialogue between the physiologist and the artist in Le Mouvement by Étienne-Jules Marey (1894)
Linda Bertelli
The aesthetics of cut in found footage film. The case of Decasia by Bill Morrison
Sonia Colavita
Rediscovering censorship to understand the struggle for the contemporaneous age-oriented movie rating systems
Maria Giusti
At the border of artistic legitimation. Geography, practices and models of project spaces in Milan
Laura Forti, Francesca Leonardi